Goddamn.
Strand understands both the capabilities of the medium and it's constraints. A great example of her intelligence with the medium is her renowned series "Conjurations (2009)". A body haphazardly floating, a severed little girl, a standing figure underneath a cloak, all referencing the comparisons between photography and magic. Barthes again resurfaces with this notion, "...the realist do not take the photograph for a 'copy' of reality, but for an emanation of past reality: a magic, not an art."
By staging her subjects in the middle of each magic trick, Strand emulates this emanation of the 'past reality' while also showing the polarization of such reality through the absurdity of their being. Strand also leaves everything undone. As the operator she takes the ordinary something and makes it do something extraordinary leaving the viewer marooned, waiting for the ordinary once more. Obscuring the proper indications of photographer and magician, Strand acquires an ingenious example of how this medium functions and the ways a photograph can press you between two planes of glass endlessly waiting for reality to return.
Me and Julia are psyched on this girl.
To see more of her works go here.
Each week I will be posting a small column about a contemporary photographer/artist.
xoxo George
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